category: short play
genre: drama
running time: ten minutes
setting: adjoining dressing rooms in a church
prior to a wedding
period: contemporary characters:
Vanessa, a bride
Martin, her groom
Felicity, his Best Woman
Quentin, Vanessa’s Man of Honor
story:
Vanessa and Martin are getting married and having
simultaneous nervous breakdowns in adjoining dressing rooms.
Quentin and Felicity, their respective Man of Honor and Best
Woman, are doing their best to offer comfort, and in the course
of their conversation it is revealed that each is the former
lover of one half of the bridal couple. Assuaged, Vanessa
and Martin in turn console their heartbroken friends, who
in the final sequence reveal their own tangled love affair.
author’s comments:
This short piece was written for The Quicksilver
Productions short play collection, I Laughed, I Cried, I Shot
the Person Next to Me, and interestingly enough, in the original
draft, Martin and Quentin had been lovers, as had Vanessa
and Felicity. The problem with that is it gave the impression
that a pair of homosexual couples were “going straight”
and that defeated the real center of the play, which for me
is focusing on the sometimes bittersweet awkwardness of what
it’s like to remain friends with a former romantic partner.
As with many re-writes, this turned out to be a happy accident
because, by having the non-traditional gender switch in the
wedding roles, we now have ironic titles for Vanessa and Martin’s
exes: Felicity has become the Best Woman to Martin’s
groom, even though he’s marrying someone else; Quentin
is Vanessa’s Man of Honor, even though he won’t
end up being her husband. Since the emotional thrust of the
play comes in the moment where Felicity and Quentin turn to
each other for emotional support it really couldn’t
have worked out more perfectly, bringing home the point that
sometimes the deepest love is that which sacrifices itself,
but recognizing that sacrifice is never easy and better not
done alone, while also emphasizing that meaningful relationships
are complicated and transcend conventional titles while still
being conducted under the shadow and influence of those titles.
After all, it’s nice being the Man of Honor, but who
wouldn’t prefer to be the husband to a woman he loves?
|